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Your result depends on what you give.

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THE MOTH 200D - 35mm Color Negative 36exp THE MOTH 200D - 35mm Color Negative 36exp
THE MOTH 200D - 35mm Color Negative 36exp
$21.00

This film is not a predictable film, but it is not too complex to understand.
It’s the kind of light you think you’ve mastered — until you see the scans.

Balanced for daylight, with a gentle highlight roll-off and a naturally soft contrast, THE MOTH 200D delivers images that feel clean without being sterile. Architectural lines stay crisp but never harsh, skin tones remain honest, and shadows hold just enough detail for you to shape – or leave untouched.

There’s something familiar in the way it renders colour.
Something that used to be everywhere… then quietly disappeared.
Now it’s back — under a different name… for the last time.

Key Characteristics

  • ISO: 200 (Daylight balanced)

  • Color Profile: Neutral with a subtle warm bias

  • Grain: Fine, tight, cinematic texture

  • Dynamic Range: Wide latitude with smooth highlight retention

  • Processing: ECN-2 (recommended), flexible across most labs

Best Used For

  • Daylight & Overcast scenes — where it performs at its best

  • Street & Architecture — strong detail, controlled contrast

  • Natural Portraits — clean, realistic skin tones

  • Golden Hour — soft glow, gentle highlight bloom

BELU 100T - 35mm Color Negative 36exp BELU 100T - 35mm Color Negative 36exp
BELU 100T - 35mm Color Negative 36exp
$14.95

BELU 100T comes from a lineage that was never designed for stillness.


A stock once trusted to capture motion, now reinterpreted — slowed down, reshaped, and given a second life.
Rated at 100, it reveals a different personality.
More restrained, yet more unpredictable.
Highlights stretch and bloom into soft halos.
Artificial light spills into the frame, refusing to stay contained.
Colours drift — warm, green, sometimes somewhere in between — like a scene that doesn’t quite belong to reality.

It doesn’t try to be accurate.
It tries to be remembered.

Key Characteristics

  • ISO: Rated at 100 (originally higher-speed tungsten stock)
  • Color Profile: Tungsten-balanced, warm with green/cyan shifts
  • Grain: Noticeable, textured, cinematic
  • Dynamic Range: Strong highlight latitude, deep shadow falloff
  • Halation: Pronounced glow around bright light sources
  • Processing: C-41 compatible (remjet removed)

Best Used For

  • Night & Low Light — where it truly comes alive
  • Neon / Street Lighting — halation and colour shifts shine
  • Cinematic Street — motion, blur, imperfection
  • Mixed Lighting — embraces unpredictability
  • Indoor tungsten scenes — raw, atmospheric tones
RAIL 50 - 35mm BW Negative 36exp RAIL 50 - 35mm BW Negative 36exp
RAIL 50 - 35mm BW Negative 36exp
$6.99

RAIL 50 is a fine-grain panchromatic black-and-white film designed for expressive everyday photography. Rated at ISO 50, it delivers its best results when exposed between ISO 50 and 100. At ISO 50, the film produces smooth tonal transitions, detailed shadows, and clean highlights. Its flexible exposure latitude makes it suitable for portraits, street photography, landscapes, and controlled studio work. Kodak XTOL stock solution is recommended for balanced contrast, fine grain, and strong tonal separation. RAIL 50 can also be pushed to ISO 400 when additional speed and a more pronounced contrast are desired.

PROCESSING

  • X-Tol / XT-3
    → preserves tonal depth and smoother gradation

  • HC-110
    → increases contrast, stronger highlights, more cinematic punch

LOOK & CHARACTER

  • Deep blacks with preserved shadow detail

  • Soft highlights that hold well under slight overexposure

  • Smooth midtones with strong tonal separation

  • Fine, organic grain with a clean and consistent structure

  • A classic monochrome character with subtle cinematic depth

BEST USED FOR

  • Daylight Streets — rich tones, defined forms and layered shadows

  • Portraits — smooth skin tones and gentle highlight transitions

  • Architecture & Landscapes — fine detail with controlled contrast

  • Experimental Work — flexible exposure with room to push or pull

THE SALEMAN 50D - 35mm Color Negative 36exp THE SALEMAN 50D - 35mm Color Negative 36exp
THE SALEMAN 50D - 35mm Color Negative 36exp
$14.95

THE SALEMAN 50D comes from an earlier era — when colour was designed with intention, not perfection.


A daylight stock with fine grain, soft contrast, and a quiet way of rendering light that feels almost… restrained.

But what makes it different is not just how it sees —
It's how you choose to develop it.

At ISO 50, processed in ECN-2, it shifts — softer, flatter, more dramatic, with a deeper tonal curve and a subtle colour drift.
At ISO 64, processed in C-41, it becomes clean, gentle, and balanced.

Same film.
Different consequences.


Key Characteristics

  • ISO: 64 (C-41) / 50 (ECN-2 recommended)

  • Color Profile: Neutral daylight, slightly warm with vintage bias

  • Grain: Fine, smooth, understated

  • Dynamic Range: Soft highlight roll-off, controlled contrast

  • Rendering: Calm, natural, slightly desaturated tones

  • Processing:

    • C-41 → clean, vivid, saturation boosted.

    • ECN-2 → softer contrast, more cinematic latitude, easy for post-processing

Best Used For

  • Daylight & Soft Sun — where tones stay gentle and controlled

  • Suburban scenes — quiet, nostalgic rendering

  • Portraits — natural skin tones without exaggeration

  • Cinematic work (ECN-2) — flatter profile for grading

  • Low-contrast environments — subtle tonal transitions

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